A Christmas Story second weekend review

We have completed two weekends (5 shows, 1 preview) now with 2 weekends (5 shows) left. The first weekend went well enough, better than expected.

But the second weekend was a real roller coaster. Friday night was a little bumpy considering we had 6 days off. I missed a queue and thus missed a paragraph as a queue for someone else. We skipped 3 pages on that one. Yikes. Of course the audience does not necessarily know that we missed something, but still you hate doing things like that. It troughs everybody off.

For Saturday night the general consensus is that it was our best show to date. One or two of the actors felt they did not do very well, but over all it was good.

Sunday was a disaster, or at least it felt that way to the cast. On my part, I seemed to skip every fifth line. At some point in the first act, the computer running the lights and sound locked up. Even a quick reboot did not solve the problem and we called an early intermission to restart the whole system.

I realized something was wrong when the spotlight was being moved between the two areas of the stage where action was taking place. The scene was where the family is in the Oldsmobile and I am across stage narrating. I moved over into the scene so that the light would not have to be moved back-and-forth.

All I can say is, that the fun in LIVE theatre.

Alpharetta news paper Review & News

There is an article in a local news paper called Review & News for Alpharetta and Roswell titled:

ACT1 actors in Alpharetta relive holiday memories with ‘A Christmas Story’
November 28, 2007

(SPECIAL/www.northfulton.com)Jay Croft, the narrator and adult Ralphie, holds the famous genuine Red Ryder 200-shot Carbine Action Air Rifle, the object of young Ralph’s (portrayed by Bobby Cookson) dreams in ‘A Christmas Story.’

Actors Mark Olsen and Jay Croft, who perform respectively as “the Old Man” and as the Adult Ralph in ACT1 Theater’s production of “A Christmas Story,” have discovered their own forgotten Christmas memories embedded in the Philip Grecian play.

Based on the popular movie and the memoirs of Jean Shepherd, “A Christmas Story” follows 9-year-old Ralphie Parker’s quest for a genuine Red Ryder 200-shot Carbine Action Air Rifle for Christmas in the early 1940s.

Veteran actor Mark Olsen who performs as Ralphie’s “Old Man” could not resist the audition call.

Since his move to Atlanta two years ago to work at the Georgia Aquarium, the marine biologist has not auditioned once. Most of the shows on his resume from his home city of Medford, Mass. are musicals such as “South Pacific,” “Music Man,” “Oklahoma” and “Anything Goes.” He both tap-danced and sang in “A Chorus Line,” and in “Forty Second Street.”

Olsen earned his degree in Marine Biology from Northeastern University in Boston and worked at the aquarium in Connecticut before taking the job in Atlanta.

In the pecking order of his own family, Olsen was the little brother in a family of four. His real life boyhood memory of Christmas was the adventure of the whole family going together to a snow covered lot to select his very first live Christmas tree when he was 5 and his brother was 8.

“We can all relate to the story of wanting that one special Christmas gift. For me it was a Big Wheel, which, incidentally, I didn’t get,” he said. “The real message of ‘A Christmas Story’ is neither the gift nor the turkey dinner. It is the family.”

Georgia native Jay Croft takes on the introspective role of story-teller and narrator as the adult Ralph. He is on stage for most of the play.

“It is not a traditional role. There is no verbal interaction with other cast members. In fact I am invisible to the other actors as I tell the story of my younger self,” he said.

Croft was born in Macon and is a life long Georgian. He earned his undergraduate degree in anthropology and archeology from Georgia Southern, as well as a graduate degree in recreational administration. During a brief stint as an anthropologist, he helped excavate some historic cemeteries dating back to the 1700s. Croft now works for Northup Grumman in Data Quality Assurance.

Croft’s first show was in 2004 in “Sunshine Boys,” followed by “The Man Who Came to Dinner,” “Beau Geste[SIC],” and numerous shows at Kudzu in Roswell.

“I never had the desire for a Red Ryder BB gun, but when I was 12 years old my grandfather bought me a brand new 22 rifle for Christmas,” remembers Croft. “The sad thing is that while we were on our way to spend Christmas Day with my grandparents, he died. I still have that gun today.”

www.northfulton.com

A Christmas Story, the Preview

We had a Preview Night last night, where friends and family were invited to view the play. We had a dozen or so people. Not many, but still this was a non-stop run through of the play. So having done the play in front of an audience, and having made only a few small mistakes boosted my confidence.

I have not counted the paragraphs, line, words or otherwise that RALPH/NARRATOR has, but there are a lot lines if not half the play. And all memorized. I am still a little nervous about opening night but I do feel better about my capabilities.

There are extremes like Keanu Reaves memorizing every single line of Hamlet or Shirley Temple who knew everybody’s lines in any of her movies. And then there are the countless complaints about those who just can’t remember any of there lines.

I would hope that I would be remembered as one who can, or rather I would not like to be remembered as one who cannot remember his lines.

But on the other hand, it was suggested to me by my acting coach, Chris Cole Harris, that I should memorize everybody’s lines because of the role I had in this play. It is possible and even during rehearsals, you do hear the lines over and over to the point of memorization.

I suppose, maybe I should have, but I am satisfied.

Update: Mid-November

With my new job came a limit on internet time. That’s just the nature of the company I work for.

Anyway, A Christmas Story has just 5 rehearsals before the preview night and opening night. It is slowly coming together, but there are still some things that need work. Mainly, any show with kids lends itself to some level of unpredictability: Will they remember there lines, be in place for their queues, etc.

The part that scares me is not the quantity of lines, half the book, but the fact that as the NARRATOR and being invisible to the rest of the cast, if I forget a line there is no one I can improve with to get back on track. It’s all me. If I loose my place… well.

I always believe that it will happen during a run, that is, that I will forget a line or my place. That way I do not fear it so much. I plan on what to do as much as one can plan on forgetting a line. I may let the cast or director down, but hopefully the audience will not notice… to much.