Auditioned for The Mousetrap

I auditioned for The Mousetrap at Red Clay Theatre Tuesday. My appointment was for 7:25 but I arrived early and was able to do my audition early. I was immediately approached by a guy I have seen in various auditions around town. Could not remember his name at the moment, but I know now: Bob Smith. Nice guy.

At the sign in table was a “Guest Artist” from Barefoot in the Park, the DELIVERY MAN was such a small role, that Button Theatre decided to sale the role. I don’t remember her name. I am so bad with names.

Once in the theatre to audition, the auditors were Ginny Lockhart (Assistant Director of Barefoot in the Park) and Kelly Knowlton (Stage Manager for Barefoot in the Park). They had me do a dramatic monologue and then the same monologue with a British accent. I had been working on a British Northern accent (Yorkshire) so I did that. The stopped me about half way though and said that is all they needed to see. Very quick.

I did find out that because so many people wanted to audition for the play, Monday night was added a an additional night for auditions. That is great.

Today, I received an email inviting me back for Thursday’s callback for the role of MAJOR METCALF. There were two other recipients on that email: Bob Smith mentioned above and George Crolius who I have seen at auditions around town as well. There may be more than the three of us called back for that role.

Of the three, I think I look least like I have retired from the British Army. I can add makeup and age myself. I may do a little of that for the callback.

Auditioned for The 5th Great Ape on Sunday

So I leave the house with my wife. Her car is at my parents. Drop her off.

Almost out of gas. Fill Up.

Then I need to stop by work because that is where the directions to the audition are located. Get those.

Make it to the parking deck and I cannot find a parking spot. Well I do find some but not any I can get into. Very small parking deck at Emory University. I think it was for that quadrant of the campus and everybody was on campus on Sunday. What is even worse about this parking deck is that it has three entrances. So after driving around this deck, exiting from one entrance and entering again from another I finally find a spot. Still have to pull part way in, back up to straighten and finally I am parked.

Entered on the first level, parked on the second and had to go up the stairs to exit on the street I wanted. On the way up the stairs, I tripped and put some wrinkles in my headshots.

Entered the building where the auditions are being held on the second floor. I’m on the first. I don’t see any stairs so I walk around. Don’t see an elevator or stairs. I walk a complete circuit of the first floor and return to the door I enter. There is a small sign saying stairs in this little alcove with a door that I first assumed as a janitor’s closet. This alcove was small with pipes coming out of the wall and a small door beyond. I mean a small door. I wonder how many people have walked into this building looking for a way to the second floor and leaving in frustration.

So into this little alcove, past the pipes and open the door, and indeed there are stairs. Up the stairs and there are two doors to exit out of. No signs. Ok. Let’s go left. And there is a sign with an arrow pointing toward the auditions. OK, we are making progress. Around the corner is a table with someone sitting at it. No sign saying sign in, but it looks like the right place so I stand there for a second and look at the papers on the table. Finally the girls says, “Fill out this form and here is additional information. What is your name?”

Fill out paperwork, turn it in with headshots and then sit and wait. Amazingly, I only have to wait about a minute. Apparently the person before me has not shown up yet.

In the room are 3 people: Ariel de Man (director), Ken Weitzman (writer) and third guy whose name I cannot remember (sorry about that). All very nice people. So I do a dramatic monologue and then Ariel has me read the first Scientist side. They were all smiles when I finished so I know I didn’t do a bad job. It sounded as if things were going very well for the auditions; there were not going to be any callbacks. The schedule over the weekend sounded aggressive, so I am sure they gave offers for roles yesterday.

Thankfully, leaving was a lot easier than arriving.

What I Did: Week Ending 2009-04-12

  • @THEezrunner Thanks. Another 2/3 mile walk around the building today. Determined to loose 3 lbs this week. in reply to THEezrunner #
  • Tip from my allergist: wash your face during allergy season. Keep the pollen off. Maybe I should shave my pollen catcher (beard). #
  • @theflickcast don’t you mean iTune in. <snicker> in reply to theflickcast #
  • Cupcakes? Why yes I will have one. When have I ever refused. #
  • Have an audition slot for The Mousetrap on April 28th at 7:25PM-EST at Button Theatre. I need to work on a British accent. #
  • @ginayates Thanks. I have Northern British, but not Standard which is what I need to work on. in reply to ginayates #
  • RT @the_brian_jones: @SWayward All of Monty Python is free on Youtube. 🙂 They use a wide variety of accents. <– good point. #
  • @JonathanNail Thanks! in reply to JonathanNail #
  • going to be a busy next few days. Learning lines for Once in a Lifetime, rehearsals start in May. Accent for an audition. #
  • Need to find monologues for my Monday night class and Advanced Scene Study for the next 4 Wednesday nights #
  • Oh and a trip to St. Simon’s Island and two garage sales to prep for. And damn it, I did not win the lottery. #
  • Oh well. Lunch! #
  • Note to self: Another audition scheduled for 2:16PM-EST on Sunday April 26th at Theater Emory for The 5th Great Ape. #

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Audition Notice: The 5th Great Ape

Theater Emory announces auditions for The 5th Great Ape, by Out of Hand Theater and Ken Weitzman, directed by Ariel de Man.

Equity Auditions on Saturday, April 25 from 10:00AM – 6:00PM.
Non-Equity Auditions on Sunday, April 26 from 2:00-6:00PM.

Rehearsals start on Oct. 20 and the play runs Nov. 12 – 22.

Prepare a contemporary monologue of 1-2 minutes that can be presented with great physicality. There will also be readings from the script (sides available at auditions and in advance).

Actors are paid for rehearsal and performance. Performers of all ethnic and racial backgrounds are encouraged to attend. Auditions are at the Rich Building at 1602 Fishburne Drive on the Emory University campus in Atlanta. Call 404-712-9118 M-F, 10-5 starting Thursday, 4/9 for more info and to schedule an appointment. (Please no calls prior to 4/9.) See our website for more information:

Click on ‘Theater Emory’ and ‘Audition Info’.

Theater Emory operates under a SPT contract with Actors Equity Association. Audition notices for this production are also posted in “Casting Call” on the AEA website www.actorsequity.org and locally on the ACPA website www.atlantaperforms.biz.

Description: Scientists agree that humans are approximately two percent genetically different from chimpanzees. World-famous primatologist Frans de Waal of Emory University’s Yerkes National Primate Research Center wants to know what that two percent means for human nature. In a co-production with Theater Emory, Out Of Hand Theater and playwright Ken Weitzman are working with assistance from Dr. de Waal and Yerkes to develop The 5th Great Ape. The human ape is examined in this collaboratively-generated, highly physical theater piece that retells a riveting true story of murder and suicide in the largest chimpanzee colony in captivity. Human characters explore our true nature in a play that offers new ideas and questions about power, sex, violence, kindness, and morality through study of our closest primate relatives.

Female role:
Mama (40s – 50s): The matriarch of the community. Ruled before the men came. The arbiter, the dispute settler, the peacekeeper. You better listen to Mama if you know what’s good for you.

Male roles:
Scientist (mid 30s – 60s): A primatologist studying the human ape community, passionate about his research, highly perceptive, trained to be objective and unemotional, but can’t help forming personal attachments to his subjects.

Jerome (40s – 50s):  The oldest man in the community, over the hill, a calculating old fox, an Iago.

Audition Notice: The Mousetrap

Button Theatre is holding non-equity auditions for Agatha Christie’s The Mousetrap on Tuesday, April 28 from 7 to 10pm at The Red Clay Theatre in downtown Duluth.

Please prepare a one minute dramatic monologue and be prepared to perform a small section in a Brittish accent.

Call backs will be held on Thrusday, April 30 from 7 to 10pm. You may be asked to do a cold reading at either the audition or the call back.

Reherasals will begin in June. The show will run from July 17 to August 2.

All actors will be paid. To make an appointment, please call 678-407-0772 or email MC at mconti (at) button theatre . com.

For character descriptions, directions and other information please visit us at www.buttontheatre.com

Character Descriptions:

* Mollie Ralston – proprietor of Monkswell Manor, and wife of Giles. Although initially above suspicion, it later transpires Mollie made a secret trip to London on the same day Maureen Lyon was murdered.

* Giles Ralston – husband of Mollie who runs Monkswell Manor with his wife. The very first suspect, as Giles enters the stage dressed in clothing similar to that worn by the killer. It transpires Giles also made a secret trip to London on the day Maureen Lyon was murdered. Even Mollie begins to suspect Giles, when she realises she has known him just a year and knows nothing of his background.

* Christopher Wren – the first guest to arrive at the hotel, Wren is a hyperactive young man, who is depicted as acting in a very peculiar manner. He admits he is running away from something, but refuses to admit what. The audience quickly leaps to the conclusion he was one of the abused children, driven schizophrenic by repeated abuse and now a murderer. Wren claims to be named after the architect of the same name.

* Mrs Boyle – a critical older woman who is pleased by nothing she observes. A former magistrate, we discover she had placed the three children in Maureen Lyon’s care. Shortly afterwards she is murdered and therefore the only character above suspicion.

* Major Metcalf – retired from the army, little is known about Major Metcalf. Suspicion falls upon him once it is revealed that the father of the three siblings was in the army at the time their mother died, which led to them being put into care.

* Miss Casewell – a strange, aloof woman who speaks offhandedly about the horrific experiences of her childhood. Refusing to give any more away, the natural conclusion is that she is one of the abused children, here to seek a terrible revenge.

* Mr Paravicini – a man of unknown provenance. He appears to be affecting a foreign accent and artificially aged with make-up. Who he is or where he comes from remains a mystery and his refusal to answer a direct question only underlines this point. The audience is encouraged to theorise he is the children’s father, disguised as an elderly foreigner and returned from the army to wreak a terrible revenge.

* Detective Sergeant Trotter – a policeman who arrives in a snow storm saying he has come to protect the guests from the murderer.

* Maureen Lyon (unseen in the play) – the first victim. Mrs Lyon’s real name is Mrs Stanning and she was imprisoned for abusing three siblings – the Corrigan children – left in her and her husband’s foster care. Mr Stanning died in prison and upon her release, Mrs Stanning, seeking anonymity under the name of Maureen Lyon, moved to London where she was murdered.