More info on Cynthia Barrett


Atlanta GA
tel: 404-840-1975
e: cynbarrett@gmail.com

Cynthia Barrett is currently a freelance actor and coach in Atlanta, Georgia. She was previously an Assistant Professor at University of North Carolina-Greensboro teaching vocal production, speech, dialects, text, and acting, and has also taught on the performance faculties of the University of North Carolina-Charlotte, University of California-Davis, University of Illinois, and Interlochen. She has worked as an actor and voice/text coach for the Georgia Shakespeare Festival, North Carolina Shakespeare Festival, Illinois Repertory Theatre, Metro Theater Company, and the Alliance Theatre Company.

MFA University of Illinois-Urbana-Champaign; BA Indiana State University.

Class Notice: Fitzmaurice Voice with Cynthia Barrett

I will miss taking class with Chris which is during the same time, but….

Fitzmaurice Voice Technique with Cynthia Barrett
Mondays – Sept 13 – Oct 18 – 6:30pm ? 8:00pm
at Actor’s Express
This class will help develop the skills necessary to confidently use dialects, explore physical techniques to open up your body, breath and voice and exercise the flexibility and strength of your diction. We will examine the music, rhythm and mechanics of some of the world’s dialects. And put it all in practice with selections from plays.

Cynthia Barrett holds an MFA from the University of Illinois and is a Certified Associate Teacher of Fitzmaurice Voicework. She has been on the theatre voice faculties of UNC-Greensboro, UNC-Charlotte, University of Illinois and Interlochen. She has coached voice/text/dialect for the Alliance Theatre Company, and served as coach and actor for Georgia Shakespeare Festival, North Carolina Shakespeare Festival, Charlotte Rep., Illinois Rep. and Metro Theatre Company.

To register, please email Kristin Hathaway-Hansen at kristin@actorsexpress.com or call 404-875-1606.

Welcome

There are earlier entries than this, date wise anyway because I can change the date. The earlier stuff is from notes I put in a journal so I will date my entries accordingly. But anyway, Welcome to my Thoughts on Acting. What do I hope to achieve? Well this is just an electronic journal as I attempt to become an actor. That’s it. Nothing more and nothing less.

Thanks

Jay

Audition #3

Last night I auditioned for Over the River and Through the Woods by Joe DiPietro at Stage Door Players. The 16th was the second day of auditions and the crowed was very light. I think I like that. For non-scheduled times, I think I will start showing up on the second night. Hmm, but how rested is the director on the second day of auditions. Something to think about.

This theatre is very nice and very large. I was very relaxed for this audition. I read yesterday about one’s attitude when going in for an audition. You should great the director and assistances with a smile and confidence. Chris is right about first impressions. So I did. I went in and out with a smile, shook hands, and tried to act (actors can act can’t they) as confident as possible.

We were required to have a 30 second comedy monologue prepared. Remember Lesbian Spanking Inferno? Well that is what I did. I stumbled at first, but eventually made it through. I did OK on that. I was then handed a monologue and a dialogue to read over and I went back out in the lobby. After a few more people went in for their prepared monologues, I was called back in with another lady to read the dialogue. I thought we did very well together. There was good pinch and react. I was then allowed to go back into the lobby for a little while longer before doing the monologue. The character I was auditioning for was the lead.

I feel really good about this one, but I will not get my hopes up. I do not have a lot of experience, but I am getting better at this auditioning thing.

Audition #2

This morning I had an audition for the Atlanta Classic Theatre at the 14th Street Playhouse. Unlike my first one where all I had to do was show up, this one I had to make an appointment. There were two plays being auditioned for: Cat on a Hot Tin Roof by Tennessee Williams and I Am a Camera, by John van Druten, adapted from The Berlin Stories of Christopher Isherwood.

After filling out the necessary application, I was given a dialogue from Cat on a Hot Tin Roof to read with my “wife”. We had about 10 to 15 minutes to prepare before being called in. As it turned out, there were a lot more women than men (which I hear is typical) so I read my lines twice with two different wives. When I was rehearsing my lines, I kept stumbling over the words. When I actually performed I did well enough, lost my place the second time.

After the first reading, the director for I am a Camera gave me some instruction? sort of: He explained that the character was a lawyer. Well I gathered that, but what did he mean. Well I read my lines again and was dismissed. Thinking back on what he said, I realized that he meant I should be more logical about my reading. There is a monologue within this scene where I, the lawyer, am stating item by item what is going on. It is more logical and less emotional. I did read it with controlled emotion, but, I did hear other guys reading the same lines and were really putting a lot of emotion and volume into it.

I thought I did well and I am more hopeful than my first audition, but alas I do not thank I will get this ether.